Neo-baroque in modern ukrainian art: features, representatives, significance

The aim of the work is to analyze neo-baroque features in modern Ukrainian art. research methodology based on principles logic, abstractness and scientificity. general theoretical methods are used work: synthesis, induction, analysis, deduction. Particular attention paid use special art methods, including formal-stylistic, structural analysis semantic approach. With help historical method it was possible trace longevity traditions. As a result using comparative method, samples were analyzed compared. Scientific novelty. article comprehensively analyzes development as separate style studios, but main vector made for painting. Conclusions. Neo-Baroque from XIX century, proposed several new principles, that contradicted „official” classicism. In particular, culture led rejection single, systematic, simple model formed view world fragmentary plurality. became natural stage national tradition, which turned its origins complex relationships with other forms. Therefore, significance this significant given further contemporary Among artists who turn Baroque traditions, such figures V. Ryabchenko, K. Reunov, A. Savadov, O. Tistol, S. Panych. others important. Some contained works M. Storozhenko, Y. Lutskevich, D. Yablonsky, etc. has become so popular even designers actively incorporating into their works.
 Key words: neo-baroque, art, Ukraine, representatives,